Anthropos: Anthropos, 67.1972

Anthropos, 67.1972

Bibliographic Data

Journal

Structure Type:: Journal

Works URN (URL):: https://nbn-resolving.org/urn:nbn:de:kobv:11-714820

URN:: urn:nbn:de:kobv:11-714820

Persistent identifier:: BV043334262

Title:: Anthropos

Sub Title:: internationale Zeitschrift für Völker- u. Sprachenkunde

Place of Publication:: Fribourg

Publisher:: Ed. St. Paul

Year of Publication:: 1906

Collection:: Journals and Newspapers > Journals of Ethnology

Domain:: Social and cultural anthropology > General overview

Journal Volume

Structure Type:: Journal Volume

Works URN (URL):: https://nbn-resolving.org/urn:nbn:de:kobv:11-711766

URN:: urn:nbn:de:kobv:11-711766

Persistent identifier:: 1510232343021

Title:: Anthropos, 67.1972

Year of Publication:: 1972

Call Number:: LA 1118

Collection:: Journals and Newspapers > Journals of Ethnology

Journal Issue

Structure Type:: Journal Issue

Title:: Bd. 67, 1972, Heft 3-4

Collection:: Journals and Newspapers > Journals of Ethnology

AfiV Q Yesufu Asogba - modeleur dahoméen Etude ethno-esthétique sur des statuettes en terre cuite Roger Brand W h Surnmarium. — In the beginning of this century there lived in Dahomey a modeller (jg S ^ name was Yesufu Asogba. He belonged to the Yoruba-Nago tribe and spent his floruit £ ^~30) in Porto-Novo. In the present study 89 terracottas which were modelled and baked have S °^ a an ^ which now belong to different museums and private collections in Europe will b £en ana iy se d- First a diachronic classification of the total of the works of the artist de esta hHshed from the aesthetic point of view. Then 68 statues will be identified and V 0 cl^ e< ^ e ^h n ographically. These statues represent men and women who live with their a nd ° r deified powers in a secret society, who have political and religious responsibility, ° w W h° Participate in a specific way in social life. Probably Asogba wanted to portray his Du S ° Clei y hy these statues, but his own people neither accepted him nor his art. Among fi )y nie^ anS ’ however, he was appreciated very soon already. Through his art Asogba actually a connecting link between African and European culture. Introduction Sommaire : PREMIÈRE PARTIE I- Les problèmes de l’objet dans une société à tradition orale IL Problèmes et méthodes de recherches ethnographiques III. La personnalité de l’artiste DEUXIÈME PARTIE IV. Critique de ce qui a été dit sur ces statuettes V. Analyse morphologique Vl. Définitions des lois pour la formation des séries et des groupes TROISIÈME PARTIE II. Essai de définition de ce que sont les Vodun Hl- Description des figurines Conclusion Amhr °Pos 67. 1972 IL J. Narr

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